writing personal essays: on the necessity of turning oneself into a character

Privacy […] and when you seem pushy, mousy or ridiculous,” says essayist Phillip Lopate in his craft essay, “On the Necessity of Turning Oneself into a Character.” Lopate believes it essential to “maximize that pitiful set of quirks, those small differences […]. Adobe Acrobat 8.12 Paper Capture Plug-in To do that, the writer needs to build herself into a character. Are we afraid to appear arrogant?

In personal essays, nothmg is more commonly met than the letter I. I think it a perfectly good word. We spent most of the time in class reading Phillip Lopate's "Writing Personal Essays: On the Necessity of Turining Oneself into a Character" and discussing it. E.M. Forster, in Aspects of the Novel, drew a famous distinction between “flat” and “round” characters — between those fictional personages seen from the outside who acted with the predictable consistency of caricatures, and those whose complexities or teeming inner lives we came to know. %PDF-1.4 %���� In order to do so, the writer should know how to step outside of his ego to view himself as another would.

Terms List of all the This was one of my favorite things to teach my students when I was a graduate student at the University of North Carolina Wilmington. And so why don’t we? The Memoir" and "Writing Personal Essays: On the Necessity of (44) Lopate talks a lot about what makes a good "I"/narrator.

But here is where he really gets down to it. &�ib�����m_w�˻��rsD��nﯮ�)� ��%N8.�}|T�Ŗ�p~?�CF��0"��M�%���B��g������0����8����c3�u� ��7��\����q�8����r�[�4 Y6� 7'�[��u�s�ω�����0�1^L-�W)��������K~� ��a�}Jsh�S;��v.��� ��a5�Å�=�W1��}B䜐4��R��oɻ�X���~�1{��k��2\b�lq�2��ӱ�����q ^{X��q�{i�8"��@aL�@*�vMI�_Q�j�-���oa36OMS��F�����pj��I��t�I� ��8�S�Y>�c����� ��D��Ǧ�^����/s�fw5�6T�.�MjB)X��CH�,������. … (Somewhat) Daily News from the World of Literary Nonfiction.

Tagged: Characterization in Nonfiction, E. M. Forster, Philip Lopate, Upright Pronoun. The “slender telephone pole standing in the sentence” resonates with students. Sorry, your blog cannot share posts by email.

The Memoir" and "Writing Personal Essays: On the Necessity of Turning Oneself into a Character by Phillip Lopate. ( Log Out /  Change ), « Of Ghostly Raisins Simmering in Christmas Brandy. From the master of the essay form, Philip Lopate: In personal essays, nothing is more commonly met than the letter I. I think it a perfectly good word, one no writer should be ashamed to use. & […] recent post on the website Brevity quotes the grandmaster essayist Philip Lopate on the creation of character […]. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. you. Cheers to you. |

Especially is first person legitimate for this fonn, so drawn to the particulars of character and voice. The problem with “I” is not that it is in bad taste, but that fledgling personal essayists may think they’ve said or conveyed more than they actually have with that one syllable. 2010-08-16T17:30:59-04:00 Turning Oneself into a Character by Phillip Lopate. Egotistical? 2010-08-16T17:28:32-04:00

( Log Out /  one no writer should be ashamed to use. application/pdf It’s a difficult thing to grasp, but certainly makes for much more meaningful essays. The writer of a personal essay needs to suggest themselves as a character with patterns, habits, and quirks that allow the reader to be endeared and interested in what is being said. Turning oneself into a character "means you have achieved sufficient distance to begin to see yourself in the round: a necessary precondition to transcending the ego--or at least writing personal essays that can touch other people." And I use the word character much the same way the fiction writer does. In truth, even the barest “I” holds a whisper of promised engagement, and can suggest a caress in the midst of more stolid language. View desktop site. endstream endobj 1 0 obj <> endobj 376 0 obj <> endobj 133 0 obj <> endobj 143 0 obj <> endobj 142 0 obj <>/CM2<>/CM3<>/CM4<>/CM5<>/CM6<>/CM7<>/CM8<>/CM9<>>> endobj 134 0 obj [377 0 R 378 0 R 380 0 R 381 0 R 382 0 R 383 0 R 384 0 R] endobj 157 0 obj [385 0 R 386 0 R 387 0 R 388 0 R 389 0 R 390 0 R 391 0 R 392 0 R] endobj 190 0 obj [393 0 R 394 0 R 395 0 R 396 0 R 397 0 R 398 0 R 399 0 R 400 0 R 400 0 R 401 0 R 401 0 R 402 0 R 403 0 R 402 0 R 404 0 R 405 0 R 406 0 R 407 0 R 408 0 R] endobj 254 0 obj [409 0 R 410 0 R 411 0 R 412 0 R 413 0 R 414 0 R 415 0 R 416 0 R 417 0 R 418 0 R 419 0 R 420 0 R 421 0 R 422 0 R 423 0 R 424 0 R 426 0 R 427 0 R 425 0 R 428 0 R 429 0 R 430 0 R 431 0 R 432 0 R 433 0 R 434 0 R 435 0 R 436 0 R] endobj 290 0 obj [437 0 R 438 0 R 439 0 R 440 0 R] endobj 437 0 obj <> endobj 438 0 obj <> endobj 439 0 obj <> endobj 440 0 obj <> endobj 379 0 obj <> endobj 24 0 obj <>/Font<>/ProcSet[/PDF/Text/ImageB]>>/Type/Page/LastModified(D:20100816173035-04'00')>> endobj 461 0 obj <>stream Change ), You are commenting using your Facebook account. ( Log Out /  List of all the advice about creating a personal narrative that these authors offer you. uuid:b3ef7e86-be44-4489-920a-3d5c21dafac2 Self-absorbed? Change ), You are commenting using your Twitter account. But whether the writer chooses to present characters as flat or round, or a combination, the people on the page — it scarcely matters whether they appear in fiction or nonfiction — will need to become knowable enough in their broad outlines to behave “believably,” at the same time as free willed enough to intrigue us with surprises. On the Necessity of Turning Oneself into a Character . Post was not sent - check your email addresses! advice about creating a personal narrative that these authors offer You are currently reading On the Necessity of Turning Oneself into a Character at BREVITY's Nonfiction Blog. This list will ultimately serve as a partial checklist/rubric

What it doesn’t do, however, is give us a clear picture of who is speaking. […] and when you seem pushy, mousy or ridiculous,” says essayist Phillip Lopate in his craft essay, “On the Necessity of Turning Oneself into a Character.” Lopate believes it essential to “maximize that pitiful set of quirks, those small differences […] WIA-CanoScan LiDE 80

Writing in the first person is a brave act for an ordinarly person, but a simple and honest strategy for a writer who writes well. In this respect, building a character is a pedagogic model, because you are teaching the reader what to expect. ( Log Out /  “How do you turn yourself into a character?” This is the question Phillip Lopate asks at the start of his essay, “Writing Personal Essays: On the Necessity of Turning Oneself Into a Character.” “First of all,” he contends, “you need to have–or acquire–some distance from yourself.” H��W�n�F}�W~�xZ}����Nv�@��$XP#��k��p���o5Y}#dl�jVw]N�:u��8��z?U>�ܾ<6�ͧz��a.�=��i�o��h����d�?~���ϕf�h�)U���JJ���i3����z�՗��W?}�O�W7��w�}�����nnٿhŪ��Վ*Tu��Du;V�8g�|���ՄQ�*c4Q����tu�,�~����@v;�og��X��r�h�ԺJkE���޿}?��=��{�?

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